When I was around 4 or 5 years old, I liked to root around in my parents’ dresser a lot. One day during one of my raids, I came across my Father’s high school class ring, and my heart leapt. At that age, there was only one person that I knew who wore a ring – The Green Lantern, champion of justice and venerable member of the Super Friends. I immediately slipped the ring over my middle finger and started “flying” all over the house, pointing my “power ring” at my dog, pretending to catch her in a glowing green baseball mitt after a fall, or smashing a bad guy in the face with a giant, green, glowing fist. Decades later, Hollywood has turned one of my beloved childhood heroes into a slick, $200 million production, but it pains me to say that my adventures around the living room with my Dad’s class ring were far more entertaining and exhilarating than this colossal disaster of a superhero film.
In a nutshell, Green Lantern is about a squadron of space cops (called the Green Lantern Corps) who patrol sectors of the universe, using the power of a ring imbued with the green energy of will. Each ring-user can create any object they imagine out of the green energy (usually giant fists and weapons). The rings have a weakness though – they are near powerless against the yellow energy of fear, embodied by an evil cloud of yellow tentacles with a giant head called Parallax. Parallax is wreaking havoc around the universe, and mortally wounds the strongest Green Lantern, Abin Sur (Temura Morrison). His ship crashes on Earth, where his ring must choose a new wearer to take up his mantle.
The ring chooses Hal Jordan (Ryan Reynolds), a cocky, irresponsible test pilot who tries to escape from the fearful memories of his Father dying in a plane crash by being as daring as possible in a fighter jet. He tests jets for Ferris Aircraft, which is managed by his (presumably) ex-girlfriend Carol Ferris (Blake Lively). The ring transports Hal to the Green Lantern Corps home world of Oa, where he meets Sinestro, the leader of the Corps, and a bizarre menagerie of CG-created aliens who all bear the ring. Meanwhile on Earth, Hector Hammond, a nerdy scientist, is infected with Parallax’s fear energy while examining Abin Sur’s remains and gains telekinetic powers. Hal must then decide if he has what it takes to stop both Hector and Parallax from wiping out the Earth.
Joyless, disjointed, and dull – Green Lantern suffers from a terribly written screenplay, and a narrative that beats the audience senseless with another tedious origin story, gobs of exposition, and a painfully boring romance. The editing is dreadful, resulting in one of the worst-paced films I have ever seen, (And I sat through Jonah Hex!). A sloppy, un-satisfying climactic battle then materializes out of nowhere without any rising action or buildup to speak of.
All of this ineptitude is rather shocking, considering the film was directed under the normally capable helm of Martin Campbell, who gave us two of the best James Bond films of all time – Goldeneye and Casino Royale; not to mention the Saturday matinee fun of The Mask of Zorro. But despite the colorful and mostly well-crafted CGI effects, and the creative constructs that Hal creates with this power ring, there is no fun to be had here.
Ryan Reynolds does the best he can with the material that he is given in this absolute mess of a screenplay, so Green Lantern’s failure should not rest squarely on his shoulders, but he is still woefully mis-cast in the role (it should have gone to the runner-up Bradley Cooper). I was dreading the snark; the endless wise-cracks and mugs for the camera that are the trademarks of a Ryan Reynolds performance, but aside from a few minor quips, Reynolds usual shtick is completely replaced with a generic affability. Blake Lively, as Hal Jordan’s love interest Carol Ferris, while not reaching January Jones-levels of awfulness, is still very wooden. Her character suffers the same fate of many females in comic-book adaptations: she drowns in1940’s damsel-in-distress and 1980’s empowered- business woman tropes, and in the end is nothing more than a cheerleader for Hal to believe in himself enough to save the world. However, kudos should be given to her character for recognizing Hal Jordan behind the goofy, CGI domino mask, thus making her the single smartest female character in the history of comic-book movies.
The romantic storyline, and anything on Earth that pulls us away from the far more interesting events taking place in outer space, completely drag the film down because the relationships amongst the characters are so poorly defined. One of the most atrocious examples of this occurs at the obligatory “party/fundraiser/press conference” (a trite scene that every superhero origin film has so that all the central characters can be in the same place when something catastrophic happens), when Hal and Hector Hammond bump into one another. The characters share a “Hey, how’s it goin” moment, and act as if they have known each other for years, yet this is the first time the audience has seen them together, and has had no visual clues or any expository dialog whatsoever to enlighten them to any prior relationship. This inexplicably and inexcusably happens several more times over the course of the film, as it’s implied that Hector had/has an obsession for Carol, and a rivalry with Hal for the affections of Hammond’s father, a slimy Senator played by Tim Robbins, whose talents are completely wasted on this arbitrary role.
James Newton Howard, best known for his subtle musical cues in film like The Sixth Sense and Unbreakable, is a complete mis-match for Green Lantern. The result is one of the weakest superhero scores of all-time. As a long-time comic book reader, I should have felt a sense of awe and wonder as the camera panned over the Lantern’s visually spectacular home planet of Oa, but with the subdued music, it all fell flat. A colorful superhero like this deserves triumphant, bombastic music, but here the score is hardly noticeable at all, and when it is noticeable, it’s for all the wrong reasons. Themes derivative of classic scores like John Williams’ immortal Superman seep through constantly (there are several moments where actual segments from the main Superman theme begin to play!)
The bright spots in Green Lantern (ironic – due to the title and nature of this film) are difficult to find, but some shine through the garish CGI sludge. Mark Strong, coming off excellent villainous roles in Sherlock Holmes and Kick-Ass is a spot-on Sinestro, the stern, driven leader of the Green Lantern Corps who (SPOILER ALERT) eventually leaves the Corps behind to become Green Lantern’s arch-nemesis. Strong is terrific, imbuing the character with honor, gravitas, and a burning passion to see the Corps use any means necessary to preserve the peace. Sadly, he is given nothing to do with all that fire and rhetoric, aside from make a couple of speeches, and appear in a post-credit reveal that needed far more build-up in order to make sense.
He and the rest of the key Corps members – Geoffrey Rush as Tomar Re, and Michael Clarke Duncan (lazily and too obviously cast) as the Corps drill sergeant Kilowog – are truly wasted in this film as characters who are simply there to dump a ton of exposition on Hal, explain the powers of the ring to the audience, and serve as flying deus ex machinas to save the day in the very end. The training sequence on Oa between Kilowog, Tomar Re, Sinestro, and Hal was one of the truly fun moments in the film, but it was cut far too short to have any real impact. I would have liked to have spent more time on Oa, learning more about the different Corps members as well as the blue-skinned Guardians (the enigmatic beings who created the rings). Alas, it was not meant to be.
So, after the surprising quality of Thor and X-men: First Class, the Summer of 2011 has its first superhero dud. Hopefully the upcoming Captain America: The First Avenger, The Dark Knight Rises, and the promise of an epic superhero team-up in The Avengers, can stave off the inevitable comic book movie backlash that is sure to follow in the wake of this blunder.
Russell Crowe is a really good Australian actor who has been in dozens of successful movies like Gladiator and American Gangster. He’s also pretty crazy. Now he’s going to bring that Down-Under nuttiness to Zack Snyder’s Superman reboot as Jor-El, the biological father of Superman – a role once made famous by fellow notable lunatic Marlon Brando. What do you think of this casting? Is Crowe too young to pull off Jor-El?
At some point in the upcoming Captain America: The First Avenger, the armed forces decide to use Cap as morale-building propaganda tool for the troops, so they suit him up in a costume and send him out to sing and dance in a USO show. The costume they deck him out in is a cheesey version of his classic costume from the comic books, which you can see in these new photos. The film is set for release on July 22.
It’s often said that a hero can only attain greatness if he has a great nemesis; an enemy that challenges his strength, morals, and intelligence – a darkness to counter the light . That’s why it’s crucial for superhero movie adaptations to choose characters that have compelling villains, so that the audience is both entertained, and senses the true threat the villain poses to the hero. It’s also important to properly translate that evil-doer to the screen, carrying over their motivations for doing the evil things that they do. Many films have succeeded in this regard, with outstanding performances by Jack Nicolson and Heath Ledger as the Joker, Ian Mckellan as Magneto in the X-Men Films, Gene Hackman as Lex Luthor, and Willem DaFoe as the Green Goblin, to name but a few. Sadly, there are just as many horrible mis-fires as there are iconic portrayals of evil in superhero films. Here are ten of the absolute lamest.
10.) Gamma Irradiated Poodle – Hulk (2003)
Played by: Crappy CGI effects.
Hoo-boy…well, we launch the list with one of the most bizarre things I have ever seen on the movie screen. Ang Lee’s Hulk film was a very slow and cerebral approach to the jolly green behemoth, and featured a lot of weird psychological Father/Son dynamics between Bruce Banner his psychotic Daddy, played by a creepy-looking Nick Nolte. At one point in the film, Nolte, who also experiments with Gamma radiation, decides to sick some gamma-irradiated dogs on his son. As if this concept wasn’t already completely insane, one of the dogs was a giant, mutated…fluffy white Westminster-ready show poodle. Yes, really. One can only hope the Avengers won’t have to face this terrifying creature next Summer.
9.) Laurel Hedare – Catwoman (2004)
Played by: Sharon Stone
I’m not going to pretend that I actually watched Catwoman, but even though I have never laid eyes upon this bowl-curling turd, it’s still safe to assume that ol’ Sharon here has easily earned a spot on the lamest villains list for her portrayal of iconic Catwoman nemesis “Laurel Hedare”. And by “iconic”, I mean a terrible character that no one had ever heard of before. So what makes Ms. Hedare here ultra-lame? Well, apparently she was the co-owner of a cosmetics company who wanted to market a beauty cream that promised to make people’s skin as “smooth as marble”, but it really just melted their faces off. Hedare used the cream and her skin actually became as hard and impervious to pain as marble, but not to Catwoman’s magical claws because they scratched right through it and — Oh, for fuck’s sake… WHO IN THE NAME OF GOD WROTE THIS SHIT???
8.) Bane, Poison Ivy, and Mr. Freeze – Batman & Robin (1997)
Played by: Jeep Swenson, Uma Thurman, and Arnold Schwarzenegger
Yes folks, it’s a trifecta of lameness here from the legendarily God-awful Batman & Robin. Where do I even begin? First off, look at that picture of Bane. Just fucking look at it. The Bane of the comics was a fiendishly clever mastermind who was born in a South American prison, became addicted to a super-steroid called Venom, then came up with a plan to completely destroy Batman and actually succeeded. In this cinematic dungbomb however, he was portrayed as a brainless, grunting oaf by a no-name wrestler in a costume with fake veins and muscles airbrushed over a nude nylon bodysuit. Uma Thurman’s Poison Ivy wasn’t all that terrible as far as costuming goes, but she was clearly chanelling some campy, over-the-top acting style from the 1930’s, and was pretty much just there to fuel the flames of homoeroticsm between Clooney and O’Donnel.
And to complete the triple-shot of suck, we have Arnold Schwarzenegger (right around the time he was banging his housekeeper) in the most mis-cast role of all-time. Joel Schumacher and company transformed a very nuanced, tormented character into walking neon Mardi Gras float spouting terrible cold-related puns like, “Hey Batman, Chill!”, “Cool Party!”, “Ice to see you!”, and “You’re not sending ME to the COOLER!” Any scene from Batman & Robin is painful to sit through, but I’m pretty sure the sequence where Arnie forces his idiot henchmen to sing Christmas songs while wearing a blue polar bear robe and giant fuzzy polar bear slippers was used to force that terrorist courier into disclosing Osama Bin Laden’s location.
7.) Blackheart – Ghost Rider (2006)
Played by: Wes Bentley
You know, I really can’t decide which is lamer here – Blackheart himself, or the Nickelback cover band standing around him. Putting villains in leather trenchcoats is a lame practice that unimaginiative costume designers have been using for years now, and it’s never effective. It just turns characters like this into bland, stock bad guys from an episode of Baywatch Nights.
Wes Bentley, last seen filming a “beautiful” plastic bag (and getting a handful of Thora Birch’s tits for his efforts), in American Beauty, plays Blackheart in this abysmal Nicolas Cage vehicle. Blackheart is the son of Mephisto (Marvel’s version of Satan), and is a terrifying creature that looks like this:
In Ghost Rider though, he looks like a douchey rich kid who decided to paint his fingernails black and buy some Dashboard Confessional CD’s in order to bang emo high school chicks.
6.) The Red Skull – Captain America (1990)
Played by: Scott Paulin
This is a photo of Hugo Weaving as the Red Skull from the upcoming Captain America: The First Avenger. As you can see, it’s a near-perfect translation of the character from comic book page to movie screen. However, in the cheesey, low-budget, direct-to-video 1990 Captain America film, The Red Skull looked like this:
Laughable, right? Couldn’t get any worse, right? Wrong. It gets worse. The film begins in World War II, but leaps ahead into the present day when Cap gets thawed out of an iceberg in Alaska. The Red Skull is also still alive in the present day, but he got some plastic surgery and ended up looking like this:
It’s BIZARRO RONALD REAGAN! Did I mention that he was also Italian and not German in this colossal piece of shit? I think I’ve said enough here…